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This ceramic piece is a close imitation of Safavid style cast brass torch-stands (mashʿal) that were produced in late sixteenth and early seventeenth century in Western Iran. The spreading cylinder foot supports a slightly slanting 12-facet chamfered shaft framed by two strong mouldings. The cylinder neck above the shaft supports a head that is shaped in an upside-down footed bowl, above which is a lotus-shaped crown that supports a two-parted cylinder candleholder. Apart from the lotus-shaped crown and the candleholder at the top which are probably added on according to the artisan’s imagination, the general shape and layout of the candlestick are very similar to the original metalwork models. Contrary to the monochrome metalwork, the ceramic is painted in blue, turquoise and gold on white ground. 

Turquoise is used to divide different sections, while most parts of the decorative scheme is composed of blue background with outlines and floral, foliage patterns in gold. The zigzag grooving on the shaft is left plain. The two bands of poetry in precise imitation of Persian nastaʿliq script at foot and neck suggests the artisans in France must have had direct access to an authentic Safavid torch-stand model. For comparative examples in metalwork, see Musée du Louvre OA6037; AD5603. The blue symbol at the base suggests this candlestick was produced by Edmé & Cie (commonly known as Samson Ceramics). Edmé Samson (1810-1891) opened his ceramics firm in Paris with the intention of supplying reproductions of ceramics on display in museums and private collections. The firm produced close imitations in a breadth of styles including faience and maiolica types of Italian pottery, Persian, Hispano-Moresque pottery and Chinese and Japanese ceramics.