A Nayika on a Terrace with Attendants

From a Rasikapriya series 

Punjab Hills, Himachal Pradesh, Kangra, circa 1830-40

Ink, opaque watercolour and gold on paper 

Folio 23cm x 16cm

Provenance: Private European Collection

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Full Description

A Nayika on a Terrace with Attendants

The lovely contrast of the pale blues, pinks, yellows, and greens creates a tableau frozen in time. Smoking a hookah, the nayika or heroine sits against a brocaded bolster on a gold charpoy studded with jewels. An attendant stands behind the nayika extending her arm while holding a white scarf used as a fly-whisk. Two musicians entertain the nayika, one with a dholak or mridangam, a two-sided drum, and the other with a tambura, a stringed instrument that creates a drone for the singer who raises one arm. Numerous paintings offer representations of nayikas, sometimes paired with nayakas or heroes, but very often separate from their lovers. On the whole they illustrate the many sets of love poetry associated with Indian Rajput courts. Recently a virtually identical painting was associated with a verse from the Rasikapriya which concerns a nayika who is the centre of everyone’s attention, replying when spoken to, but always with her gaze on Krishna who is not present in the painting, essentially keeping one’s mind on the godhead.

A Nayika on a Terrace with Attendants


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